BIO

Visual artist, PhD in Philosophy.

Postdoctoral Researcher at CfAR Centre for Artistic Research, University of the Arts Helsinki (2019-2020) Finland.

Associate Professor Philosophy of Culture, Faculty of Philosophy, University of Barcelona, Spain. 

 

My praxis inhabits a zone of visual encounters between actions, writings and thinking. Among the concepts framing my artistic research is possible to determine three notions: the un-domiciled, the anarkhistory and the inexistent.

In 2020 I will be Resident Fellow in the Academy of Fine Arts, Uniarts Helsinki, Finland (Saastamoinen Foundation). During 2016-2017 I was a researcher artist in residency at La Virreina Centre de la Imatge, Barcelona, and I was an artist in research at Museo Nacional Centro de Arte Reina Sofía de Madrid, 2015-2016.

 

Exhibitions:

Fabra i Coats Centre d'Art Contemporani, Barcelona; Museo de Reus, Reus, Spain; Württembergischer Kunstverein Stuttgart, Germany; Fundació Antoni Tapies, Barcelona, Spain; Museo de la Solidaridad Salvador Allende, Santiago de Chile; Goethe-Institut de Barcelona, Spain; Centro de Arte Lo Pati, Amposta, Spain; La Capella, Barcelona, Spain; Kunsthall 3,14, Bergen, Norway; Aratoi Museum of Art and History, Masterton, New Zealand; Fonderie Darling, Montréal, Canada; Charlotte Fogh Contemporary, Aarhus, Denmark; Alice Day gallery, Brussels, Belgic; Galería Casa Sin Fin, Madrid, Spain; Root Division, San Francisco, USA; Litteraturhuset (VOLT), Bergen, Norway; Museo de la Solidaridad Salvador Allende, Santiago de Chile; Fundación Proa, Buenos Aires, among others.

Also as an artist I participated at LISTE Art Fair, Basel; ARTEBA, Buenos Aires; CIGE, Beijing; Chaco, Santiago de Chile; Brussels Art Fair, Brussels; ARTBO, Bogotá.

Grants and awards

2020 Resident Fellow of the Academy of Fine Arts of Uniarts Helsinki, Saastamoinen Foundation, Finland

2019 Grant Production and dissemination, CfAR Centre for Artistic Research, Uniarts Helsinki, Finland.

2018 Grant for Artistic Creation, La Escocesa Art Centre, Barcelona, Spain

2017 Grant for Research and Innovation in Art, Generalitat de Catalunya, Spain

2016 Contemporary Art Prize, Fundació Reddis, Reus, Spain

2015-16 Grant research residency MNCARS, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

2015 Kunststiftung Baden-Württemberg - Goethe Institut grant, Stuttgart, Germany

2013-17 The National Commission for Scientific and Technological Research, Advanced Human Capital program, Ministry of Education, Government of Chile

2012 BCN Producció, La Capella, Barcelona, Spain

2009 Danish International Visual Arts Council

2009 Canada Council for the Arts

2008 Flaggfabrikken – Center of Contemporary Art

2002 The National Fund for the Arts, Government of Chile.

Publications

La Inexistencia del Arte, book, Brumaria Madrid, 2017.

The Invisible Seminar, editor Brandon Labelle, les presses du réel, 2017 (article).

http://www.lespressesdureel.com/EN/ouvrage.php?id=6019&menu

The Imaginary Reader, volt (Bergen), 2017 (article).

http://www.v-o-l-t.no/index.php?/prosjekter-2016/the-imaginary-reader/

Copiar el edén, editor Gerardo Mosquera, Puro Chile Ediciones, 2006

http://www.copiareleden.com/

Faculty of Philosophy, University of Barcelona

https://www.ub.edu/portal/web/dp-filosofia

Grup de Recerca en Estètica i Teoria de les Arts –GRETA

http://esteticauab.org/home.html

 

CAiRE Clúster d’Art i Recerca Experimental

https://caire.community/ca/

EINA Centre Universitari de Disseny i Art de Barcelona.

http://eina.cat/en/postgraus/master-oficial-eees-master-universitari-de-recerca-en-art-i-disseny

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Mi praxis como artistafilósofo y docente se establece en una zona de encuentros visuales entre acciones, escritura y  pensamiento.

Entre los elementos conceptuales que enmarcan mis investigaciones es posible determinar tres nociones:

i.- la indomiciliación,

la cual hace referencia a una condición de desplazamiento e inestabilidad;

ii.- la anarchistoria, que referencia a las estrategias de

historización desmodelizadas

de los marcos de inteligibilidad económicos, sociales y políticos hegemónicos;

iii.- la inexistencia, que hace referencia a la condición de intensidad de aquellos cuerpos que se exponen inusitadamente más allá de las discursividades de control y desarrollo hegemónicos.

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